Produced on the occasion of the exhibition Julie Ault, Martin Beck: Installation at Secession, Vienna, 22 September–12 November, 2006.

The exhibition consisted of an arrangement of individually and collaboratively authored installation fixtures, arenas, and works that functioned as the display architecture produced specifically for the Secession’s space.

The vocabulary inscribed by Félix González-Torres’ series of photographs Untitled (Natural History)—Patriot, Historian, Ranchman, Scientist, Soldier, Humanitarian, Author, Conservationist, Naturalist, Scholar, Explorer, and Statesman parenthesized the exhibition. The photographs were hung on the gallery’s permanent walls.

Produced on the occasion of the exhibition Christopher Knowles: Drawings and Typings at Museum Boijmans van Beuningen, 20 October–2 December, 1985.

Knowles is a poet, performer and visual artist whose output includes text, sound, typing, painting, drawing, sculpture, and recorded performance. With an introduction by theatre director Robert Wilson, who Knowles began collaborating with in 1974 when he was 15 years old.

*Please note this publication is secondhand and has some traces of previous ownership.

In Nora Turato’s performances, spoken word, graphic design, and bookmaking are intertwined to explore the possibilities of language in a culture oversaturated with information. Turato collects words and phrases from a range of sources: the Internet, media headlines, advertisements, conversations, books, commercial products, and her own thoughts.

For the first time, this third volume includes texts by writers other than the artist: Graham Burnett, Fabian Flückiger, Ana Janevski and Sohrab Mohebbi. Designed by Sabo Day.

In Nora Turato’s performances, spoken word, graphic design, and bookmaking are intertwined to explore the possibilities of language in a culture oversaturated with information. Turato collects words and phrases from a range of sources: the Internet, media headlines, advertisements, conversations, books, commercial products, and her own thoughts. Pool 2 assembles and arranges these pools of text from 2017 and 2018. Designed by Sabo Day (assisted by Claes Storm).

The New York gallery American Fine Arts, Co.—whose name today is largely synonymous with that of its gallerist, Colin de Land (1955–2003)—represents a gallery practice in which a decided deviation from conventional models overlaps with successful activities within the framework of the art market. Today, American Fine Arts, Co. and de Land figure as uncontested projection screens for the desire for independence from or bohemian resistance against the dictate of the market.

Texts by Andrea Fraser, Manfred Hermes, Karl Holmqvist & Tobias Kaspar, Isla Leaver-Yap, Jackie McAllister, James Meyer & Christian Philipp Müller, Magnus Schäfer, Axel John Wieder, Phillip Zach; conversation between Colin de Land, Josef Strau, and Stephan Dillemuth; introduction by Hannes Loichinger and Magnus Schäfer.

Produced on the occasion of Manfred Pernice’s exhibition Tutti IV at the Haus der Kunst, München, 18 October 2013—21 September, 2014.