Produced on the occasion of the exhibition John Knight, a work in situ, Galerie Neu/MD 72, Berlin, 6 June–20 July, 2013 where Knight repurposed the wooden panelling form the outside of the building that housed Galerie Neu until 2013.

“this panelling moved to the project space of the same gallery called MD 72, in Berlin too. It was adapted to the space of MD 72 by cutting holes for doors, windows, electric sockets etc. From the top to the bottom, from the outside to the inside.”

“Bohemian Grove will record its own history, and will grow larger and smaller simultaneously, with every exhibition. A process of dematerialisation. The ghosts of exhibitions past will increasingly thin out the remaining material presence the work has, until nothing but a few very dispersed sawdust particles remain. And doors and windows we cannot enter because we are in the hands of time”—gerlach en koop, 2017

Produced on the occasion of the exhibition Thea Djordjadze: Se souvenir et témoigner at MAMC+, Saint-Priest-en-Jarez, 5 February–15 May, 2022.The publication unveils materials, archives and writings from the artist in the first part, while the second combines exhibition views from the Gropius Bau in Berlin and the Musée d’art moderne et contemporain de Saint-Étienne to apprehend her sense of installation and composition in two opposite spaces. An interview with the artist by MAMC+ director Aurélie Voltz and an essay by the art historian Thomas Boutoux.

Produced on the occasion of Wolf Vostell’s exhibition Elektronisch at the Neue Galerie-Sammlung Ludwig, Aachen, 15 October-27 November, 1970.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the touring exhibition Ways of Attaching, the first institutional survey exhibition of American artist Rosemary Mayer at Swiss Institute, New York; Ludwig Forum, Aachen; Lenbachhaus, Munich and Spike Island, Bristol over 2021–2023.

Ways of Attaching provides an overview of the artist’s work, moving from early conceptual experiments of the late 1960s through to textile sculptures and drawings made in the early 1970s, before focusing on propositional and durational performances and temporary monuments made from 1977 to 1982.

Edited by Eva Birkenstock, Laura McLean-Ferris, Robert Leckie, Stephanie Weber.

You can see a conversation between Nick Mauss and Kathy Halbreich on Mayer’s work here.

Produced on the occasion of the exhibition Box Construction & Collage by Joseph Cornell at Gatodo Gallery, Tokyo, 24 May–5 June, 1982.

*Please note this publication is secondhand and has some traces of previous ownership.

Hermann Finsterlin (18 August 1887–16 September 1973) was a German visionary architect, painter, poet, essayist, toymaker and composer. He played an influential role in the German expressionist architecture movement of the early 20th century but due to the harsh economic climate realised none of his projects.

*Please note this publication is secondhand and has some traces of previous ownership.