Produced on the occasion of the exhibition Cut a Door in the Wolf at MACRO Museum, Rome, 11 November, 2021–16 March, 2022. An exhibition in the form of a single, site-specific artwork by Jason Dodge. In exploring systems made up of organic and inorganic matter, he is interested in the refuse that humans shed every day: micro- and macro-landscapes made up of the familiar and often discarded things that result from our individual and collective habits. Dodge recognises this not as a singular artistic process, but rather as a shared landscape in which cause and effect are circular phenomena that belong to everyone. He therefore investigates the potential of his audience as producers of meaning. This publication documents the work through a series of photographs.

The first monograph on the artist Ulla Wiggen. This comprehensive catalogue contains new texts by Daniel Birnbaum, Peter Cornell, Sabeth Buchmann, and Caleb Considine. The publication reproduces nearly all of the artist’s paintings since 1963.

Paul Sietsema is an artist deeply engaged in the act of looking. For his third and newest project, Figure 3 (2008), Sietsema takes as inspiration the ethnographic objects that he has collected from various locations, including Africa, Indo-Asia, and the South Pacific region of Oceania. Situating Figure 3 in the broader context of Sietsema’s work of the past ten years, this far-ranging volume explores the artist’s unique approach to looking as well as the relationships among his drawings, object-making, and film. With an essay by Cornelia Butler and interview by Bruce Hainley.

Xeroxed artist book by Josef Strau published on the occasion of the exhibition Teil I: Müllberg at Galerie Buchholz, Köln. The brochure contains the second part of a narrative written by the artist under the title Dear Little Tiger. The first part White Nights was published in 2003 by Pork Salad Press / Jacob Fabricius, Copenhagen.

Produced on the occasion of Mathias Poledna’s exhibition Fine Important Post War and Contemporary at Galerie Buchholz, Köln, 12 May–18 June, 2022.

For this exhibition, the artist created a new suite of image-based works originating from Cold War era industrial photography. The materiality and visual regimes surrounding everyday and exclusive objects have frequently been at the centre of Poledna’s film installations as well as of auxiliary and independent works produced in a variety of media.

The publication contains poems by René Char which were set to music in Le Marteau Sans Maître by Pierre Boulez.

Produced on the occasion of the exhibition Alfred Jensen at Kestner-Gesellschaft Hannover, 12 January–11 February, 1973. With texts by Wieland Schmied and Allan Kaprow.

*Please note this publication is secondhand and has some traces of previous ownership.