Theatre in Review: Upper Austria
Christopher Williams
Published by Verlag der Buchhandlung Walther König, Köln, 2024, 62 pp. (b/w ill.), 15 × 23 cm, English / German
Price: €12

Produced on the occasion of Christopher Williams: Radio / Rauhfaser / Television at Neubauer Collegium for Culture and Society, University of Chicago, 8 February – 19 April, 2024. Designed by Petra Hollenbach.

#2024 #christopherwilliams #petrahollenbach #verlagderbuchhandlungwaltherkonig
Inklusive 1972 / Inclusive 1972
Christopher Williams
Published by Verlag der Buchhandlung Walther König, Köln & Maxwell Graham, New York, 2023, 36 pp. with insert (colour & b/w ill.), 20.5 × 29 cm, English / German
Price: €14

Produced on the occasion of Christopher Williams: Werbung: A 48 hour display of quality framing materials at Maxwell Graham, New York, 15 – 17 December, 2023, which presented for the first time, Provisional Prop: Formal Public Disclosure and marked the announcement of the availability of Christopher Williams’ adaptation of Franz Xaver Kroetz’s 1971 play Inklusive for broadcast on radio, along with wall coverings, radio, printed matter, picture frames, photographs, films, and arrangements. Presented within a 48 hour time frame, these elements constitute a staging of materials for submission to the public record.

#2023 #christopherwilliams #maxwellgraham #verlagderbuchhandlungwaltherkonig
Susan Howe
Published by Yale Union, Portland, 2013, unpaginated, 21.5 × 27.8 cm, English
Price: €55

Printed and bound in an edition of 500 by Aaron Flint Jamison and Emily Johnson at Yale Union on the occasion of TOM TIT TOT, October 5-December 6, 2013, curated by Andrea Anderson and Robert Snowden. Typeset in Times New Roman by Susan Howe. Cover typeset in Caslon by Emily Johnson and Scott Ponik.

Apart from her poetry, Susan Howe is the author of two landmark books of literary criticism, My Emily Dickinson and The Birth-mark: Unsettling the Wilderness in American Literary History, and three records with David Grubbs.

#2013 #aaronflintjamison #poetry #robertsnowden #scottponik #susanhowe #yaleunion
Yayoi Kusama New York/Tokyo
Published by Tankosha, Kyoto, 1999, 2 volumes in cardboard slipcase, 194 & 150 pp. (colour & b/w ill.), 29.5 × 21.5 cm, Japanese
Price: €65

Produced on the occasion of the exhibition Yayoi Kusama New York/Tokyo held at the Museum of Contemporary Art Tokyo in 1999. This two-volume collection (Love Forever Yayoi Kusama 1958-1968 & In Full Bloom Yayoi Kusama Years in Japan) contains paintings, photo collages, and sculptures created in both New York and Tokyo over the artist’s career.

*Please note this publication is secondhand and has some traces of previous ownership.

#1999 #japaneseavantgarde #yayoikusama
Ensembles 1968 - 1992
Anna Oppermann
Published by Hate Cantz, Berlin, 2007, 268 pp. (colour & b/w ill.), 20.7 × 26.8 cm, German / English
Price: €75

Produced on the occasion of the exhibition Anna Oppermann: Ensembles at Württembergischer Kunstverein, Stuttgart, 17 April 17 – 12 August, 2007 and the Generali Foundation, Vienna, 28 August – 16 December, 2007.

In the late sixties German artist Anna Oppermann (1940–1993) began creating installations, which she called Ensembles, containing references to Pop Art, Arte Povera, and Conceptual Art. Assembled using found objects, photographs, sketches, personal texts, quotations, and coloured photographic screens, these installations were often misinterpreted by contemporaries as purely biographical statements.

#2007 #annaoppermann #hatjecantz
Ian Burn: COLLECTED WRITINGS 1966–1993
a presentation of the new book and other documents
13 April–3 May, 2024
opening: Saturday, 13 April, 16:00–20:00

“A sense of art history is part of the critical basis on which artists construct ‘a future’ of art. But the question is, which sense of art history will be shaping that future? Art history has always been far too important to be simply left up to art historians.”
— Ian Burn, 1985

This presentation is organised by Robert Milne and includes a work by Ian Burn from 1989, exhibited with selected publications and other documentation, to coincide with the release of the new book. The Estate of Ian Burn is represented by Milani Gallery, Meanjin/Brisbane.

#2024 #adrianpiper #allansekula #annstephen #artamplanguage #ianburn #kwinstituteforcontemporaryart #melramsden #paulwood #powerpublications #robertmilne #verlagderbuchhandlungwaltherkonig