Including contributions from Rosa Aiello, Terry Atkinson, Tenzing Barshee, Gerry Bibby, Mercedes Bunz, David Bussel, Jay Chung, Eric D. Clark, Caleb Considine, Hans-Christian Dany, Albert Dichy, Nikola Dietrich, Martin Ebner, Ruth Angel Edwards, Stephanie Fezer, Jean Genet, Simone Gilges, Julian Göthe, Michèle Graf, Selina Grüter, Ulrich Heinke, Toni Hildebrandt, Beatrice Hilke, Karl Holmqvist, Stephan Janitzky, G. Peter Jemison, Charlotte Johannesson, Julia Jost, Julia Jung, Nina Könnemann, Jakob Kolding, Lars Bang Larsen, Anita Leisz, Norman Lewis, Elisa R. Linn, Sebastian Lütgert, Vera Lutz, Chloée Maugile, Robert McKenzie, Ariane Müller, Christopher Müller, Robert M. Ochshorn, Henrik Olesen, Nina Rhode, Kari Rittenbach, Ulla Rossek, Cameron Rowland, Mark von Schlegell, Philipp Simon, Ryan Siegan Smith, Josef Strau, Valerie Stahl Stromberg, Vera Tollmann, Eleanor Ivory Weber, Camilla Wills, Amelie von Wulffen, Florian Zeyfang.

Designed by Dan Solbach & Starship.

Produced on the occasion of the exhibition Wade Guyton, Zwei Dekaden MCMXCIX–MMXIX, 16 November, 2019–1 March, 2020.

Wade Guyton rose to prominence in the mid-2000s with a landmark series of abstract paintings composed of simple forms and letters printed on canvas. Running the canvas through a commercial inkjet printer, Guyton stretched the device beyond its capacity to the point of failure, embedding the limits of a digital future onto the surfaces of his paintings.

Produced on the occasion of the exhibition Wade Guyton, Zwei Dekaden MCMXCIX–MMXIX, 16 November, 2019–1 March, 2020.

Wade Guyton rose to prominence in the mid-2000s with a landmark series of abstract paintings composed of simple forms and letters printed on canvas. Running the canvas through a commercial inkjet printer, Guyton stretched the device beyond its capacity to the point of failure, embedding the limits of a digital future onto the surfaces of his paintings.

Produced on the occasion of Wade Guyton’s exhibitions at Le Consortium, Dijon, 25 June–25 September, 2016, and MAMCO, Geneva, 12 October, 2016–29 January, 2017.

Wade Guyton rose to prominence in the mid-2000s with a landmark series of abstract paintings composed of simple forms and letters printed on canvas. Running the canvas through a commercial inkjet printer, Guyton stretched the device beyond its capacity to the point of failure, embedding the limits of a digital future onto the surfaces of his paintings.

Produced on the occasion of the exhibition Wade Guyton: Color, Power & Style, at Kunstverein Hamburg, Hamburg, 29 October, 2005–8 January, 2006. With texts by Yilmaz Dziewior, Janneke de Vries, Scott Rothkopf, Daniel Baumann.

Wade Guyton rose to prominence in the mid-2000s with a landmark series of abstract paintings composed of simple forms and letters printed on canvas. Running the canvas through a commercial inkjet printer, Guyton stretched the device beyond its capacity to the point of failure, embedding the limits of a digital future onto the surfaces of his paintings.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Until Due Time, Everything Is Else by Pan Daijing. It is the sixth entry in a series of compact volumes featuring visual contributions, correspondence, responses, and conversations accompanying the Grazer Kunstverein exhibition program.

The images within this book are excerpts from a video created by Pan Daijing. This publication is intended to act as a sixth screen, aligning with a five-channel video installation on display in the exhibition at Grazer Kunstverein.

Edited by Tom Engels. Designed by Julie Peeters.