Hans de Vries concentrated on the study and registration of processes and appearances that occur in and are created by nature. De Vries was a close observer, an onlooker, an eyewitness, whose aim was to discern and document the relationship between man and his natural environment. His practice has been referred to as “micro-emotive art”, a term coined by the Italian artist Piero Gilardi. Hans de Vries Works 1968–1975 is De Vries’s first exhibition since he stopped producing art at end of the 1970s. It is a retrospective of all the publications and book-related works including parallel articles and essays about his practice.

Produced on the occasion of Lili Dijourie’s 1987 exhibition at Frac des Pays de la Loire. With a text by Saskia Bos.

The intersection of motherhood and creative life is explored in these writings on mothering that turn the spotlight from the child to the mother herself. Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe first-hand the changes brought to their lives by pregnancy, childbirth, and mothering.

Contributors include Margaret Atwood, Lydia Davis, Annie Ernaux, Mary Gaitskill, Susan Griffin, Nancy Huston, Jane Lazarre, Ursula K. LeGuin, Margaret Mead, Toni Morrison, Tillie Olsen, Alicia Ostriker, Grace Paley, Sylvia Plath, Adrienne Rich, Sara Ruddick, Mona Simpson, Susan Rubin Suleiman, Alice Walker, Joy William and many more.

A publication printed on the occasion of MOMMY, a group show that considered the mother, with work by Lutz Bacher, Susan Cianciolo, Sonya Hamilton, Anne-Mie Van Kerckhoven, Lynn Hershman Leeson, Eliot Porter, Jeff Preiss, Aura Rosenberg, Diane Simpson, Barbara T. Smith, Frances Stark, and Rosemarie Trockel. It also included new site-specific works by Cathy Wilkes and Anicka Yi, and a performance by Karin Schneider.

Selected writings by Lydia Davis, Doris Lessing, Elena Ferrante, Lisa Baraitser, Silvia Federici, Sara Ruddick, Judith Butler, Lee Edelman, Thomas Nagel, Anne Truitt, and Maggie Nelson.

A PDF of the reader can be downloaded here.

KP Brehmer (1938–97) found new ways to visualise global capitalism which are of increasing relevance today. In collaboration with his Estate, this exhibition presents drawings, prints, paintings, films, objects and publications, many of which have never been exhibited before. This booklet was produced on the occasion of KP Brehmer. Real Capital–Production, 25 September–30 November 2014 at Raven Row, London, the first solo exhibition of Brehmer’s work in the UK.

This publication represents one of the many spaces occupied by Doug Ashford’s work. As the first collection of his writings and conversations, it attempts to encompass the changing ideas to which the artist has subscribed over the past 25 years. Doug Ashford is a teacher, artist, and writer. He has taught design, sculpture, and theory at Cooper Union in New York since 1989. From 1982 to 1996, his primary artistic activity was as a member of Group Material, and since then he has gone on to paint, write, and produce other cross-disciplinary projects.

Designed by Marc Hollenstein.