An anthology of writings including Tina Lhotsky, Reese Williams, Anne Turyn, Constance Dejong, Peter Nadin, Roberta Allen, Glenn O’Brien, Gary Indiana, Kathy Acker, Richard Prince, Sylvia Reed, Robin Winters, Tricia Collins/Richard Milazzo, Cookie Mueller, Lynne Tillman, Paul McMahon, Spalding Gray, and Wharton Tiers. Edited by Richard Prince.

*Please note this publication is secondhand and may have some traces of previous ownership. (Damaged spine and binding)

Hans Peter Feldmann was a German Conceptual artist best known for his use of artist books, found objects, and appropriated images to reevaluate and recontextualize subject matter. Feldmann often adopted ubiquitous or banal subjects as a starting point—including, for example, shoes or photographs taken from hotel windows—and elevates them through photo essays into profound or thought-provoking experiences.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Yayoi Kusama New York/​Tokyo held at the Museum of Contemporary Art Tokyo in 1999. This two-volume collection (Love Forever Yayoi Kusama 1958-1968 & In Full Bloom Yayoi Kusama Years in Japan) contains paintings, photo collages, and sculptures created in both New York and Tokyo over the artist’s career.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Yayoi Kusama: Zwischen Welten wandeln at the Kunsthalle Wien, 8 February–28 April, 2002.

Yayoi Kusama’s (b. 1929) work has transcended two of the most important art movements of the second half of the twentieth century: Pop art and Minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes.

*Please note this publication is secondhand and may have some traces of previous ownership

Frederik Worm and Cæcilie Trier have collaborated since 2022, combining Worm’s photographic work with Trier’s musical compositions in the context of live performances and screenings. Following their initial tour in 2022, Cæcilie Trier developed the composition Vind (‘Wind’ in Danish), which later served as the basis for their collaborative video work Vind, 43:26 min.

As a publication, Vind, 43:26 min. presents Worm’s editorial notes and Trier’s musical notations and marks their first published book work. Designed by stanza with Frederik Worm.

Scully’s Run is a new photographic monograph by Frederik Worm, accompanied by texts from Dora Budor and Alexandra Symons-Sutcliffe. Through a series of subtle and sensous images, Worm constructs a visual language attuned to dislocation, attention and the fragility of spatial belonging. The publication considers the movement not only through space, but through the image itself as a conscious relational act. In a world where the conditions of ‘home’ feel increasingly unstable, Scully’s Run proposes a way of seeing that could be both resistant and tender. Designed by stanza.