Open for Use: A single child's reclaimed data / Any single child's reclaimed data
Viktor Jeraj
Published by Viktor Jeraj, Düsseldorf, 2024, 62 pp. (b/w ill.), 20.4 × 25.5 cm, English
Price: €50

Produced on the occasion of Salon Roberta Köln, Sülzburgstraße 124, 27 August, 2024–1 July, 2025.

Designed by Andrea Salerno.

#2024 #andreasalerno #viktorjeraj
Catalogue raisonné
André Cadere
Published by Verlag der Buchhandlung Walther König, Köln, 2008, 208 pp. (colour & b/w ill.), 21.5 × 27 cm, English/French/German
Price: €75

Produced on the occasion of the exhibition André Cadere: Peinture sans fin at the Staatliche Kunsthalle Baden-Baden, 27 October, 2007–20 January, 2008.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

Designed by Yvonne Quirmbach.

*Please note this publication is secondhand and has some traces of previous ownership.

#2008 #andrecadere #verlagderbuchhandlungwaltherkonig #yvonnequirmbach
Unordnung herstellen (zweibändig)
André Cadere
Published by Kunstverein München, München & Neue Galerie Am Landesmuseum Joanneum, Graz, 1996, 80 pp. (colour &b/w ill.), 21 × 29.7 cm, German/French/Italian
Price: €44

Edited by Heike Kerstin Ander, and Dirk Snauwaert. Texts by André Cadere, and Bernard Marcelis; with an introduction by Dirk Snauwaert, and Peter Weibel. Accompanying second volume of Geschichte Einer Arbeit.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

#1996 #andrecadere #dirksnauwaert #kunstvereinmunchen
Unordnung herstellen (zweibändig)
André Cadere
Published by Kunstverein München, München & Neue Galerie Am Landesmuseum Joanneum, Graz, 1996, 80 pp. (colour &b/w ill.), 21 × 29.7 cm, German/French/Italian
Price: €50

Edited by Heike Kerstin Ander, and Dirk Snauwaert. Texts by André Cadere, and Bernard Marcelis; with an introduction by Dirk Snauwaert, and Peter Weibel. Accompanying second volume of Geschichte Einer Arbeit.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

#1996 #andrecadere #dirksnauwaert #kunstvereinmunchen
Geschichte Einer Arbeit
André Cadere
Published by Kunstverein München, München & Neue Galerie Am Landesmuseum Joanneum, Graz, 1996, 174 pp. (b/w ill.), 21 × 29.7 cm, English
Price: €44 (Out of stock)

Edited by Heike Kerstin Ander, and Dirk Snauwaert.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

#1996 #andrecadere #dirksnauwaert #kunstvereinmunchen
Abstract Paintings In Japan 1910–1945
Published by The Japan Association of Art Museums, Tokyo, 1992, 225 pp. (colour & b/w ill.), 25 × 24 cm, Japanese
Price: €42 (Out of stock)

Comprehensive survey of early Japanese abstract painting (and photography). Including Koshiro Onchi, Iwata Nakayama, Saburo Hasegawa, Kiyoshi Koishi, Ryuichi Amano, Ei-Q and many more.

#1992 #abstractphotography #eiq #iwatanakayama #japaneseavantgarde #japanesephotography #kiyoshikoishi #koshiroonchi #painting #ryuichiamano #saburohasegawa