Produced on the occasion of Franz Erhard Walther’s exhibitions at Kunstraum München, 29 January–20 March, 1976 and Städtisches Kunstmuseum Bonn, 8 June–18 July, 1976.

Franz Erhard Walther is a key figure in the departure from the image since the European postwar period. Beyond the classical understanding of sculpture and painting, Walther formulated a completely new concept of work that included the viewer as an actor. Early in his work, fabric—until then an unusual artistic material—became a source of innovation for Walther, from which the “activation objects” emerged. In the wall formations of the 1980s, he achieved an incomparable interweaving of painting, sculpture, and architecture that continues to this day.

The Boiled in Between is the debut novel by Turner Prize-winning artist Helen Marten, an ambitious literary work full of beauty and sorrow. It is a novel told in the action of persistence and questioning: how the rhythms of a world built upon metaphor and symbolism can collide with relationships personal and domestic.

To celebrate the publication of The Boiled in Between, 50 special edition copies have been produced which include a handmade, hand-painted bookplate, signed and numbered by the author and a gold foil-printed bookmark.

Helen Marten is an artist based in London. She was included in the 55th and 56th International Venice Biennales and in 2016 won both the Turner Prize and the inaugural Hepworth Prize for Sculpture.

The Boiled in Between is the debut novel by Turner Prize-winning artist Helen Marten, an ambitious literary work full of beauty and sorrow. It is a novel told in the action of persistence and questioning: how the rhythms of a world built upon metaphor and symbolism can collide with relationships personal and domestic.

Helen Marten is an artist based in London. She was included in the 55th and 56th International Venice Biennales and in 2016 won both the Turner Prize and the inaugural Hepworth Prize for Sculpture.

Internationally noted performance artist Eleanor Antin presents here the texts of four arresting works: Before the Revolution, Recollections of My Life with Diaghilev, Who Cares About a Ballerina, and Help, I’m in Seattle. These sharply satirical and occasionally nostalgic works focus on Antin’s character Eleanora Antinova, a ballerina of Diaghilev’s Ballets Russes. Eleanora Antinova is presented as a lost modernist heroine reminiscing about her days at the center of the radical art and classical ballet worlds.

Live Volume 1, concentrates on a major exhibition of new sculptural works at Museum Ludwig. A full-scale reproduction of fragments of the artist’s house in Los Angeles grafted onto the architecture of the Ludwig museum, the exhibition collapses two spaces together, producing a strange third space.

Live Volume 2, comprises a photographic monograph of selected works covering the artist’s unconventional production over the past five years. Combining documentation of significant individual works, exhibitions, and large-scale installations with the artist’s own production documentation of works in the studio, the book is a unique look at works in progress.

Produced on the occasion of Henrik Olesen’s participation in the group exhibition No Swimming at the Kunstverein München (2000).