Initiated and designed by Stepan Lipatov, based on the project by Karin Nurnberg Iturralde, a documentation and mapping of rucola growing wild in Amsterdam.

Performance artist Linda Montano invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community.

Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Lorraine O’Grady, Mierle Laderman Ukeles, Stuart Sherman, Martha Rosler, Joan Jonas, Faith Ringgold, Dick Higgins, Allan Kaprow, Meredith Monk, Adrian Piper, Carolee Schneemann and Chris Burden. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change.

Produced on the occasion of R.H. Quaytman: The Sun Does Not Move, Chapter 35, Muzeum Sztuki, Lodz, a kind of conceptual retrospective, where the artist has re-read earlier Chapters of the constantly developed project, and returned to its origins closely related to Lodz and the works by Katarzyna Kobro and Wladyslaw Strzeminski. Apart from precisely selected works from earlier chapters, the exhibition has presented new paintings in which R.H. Quaytman continues her dialogue with the work of Polish artists and explores other aspects of her personal relationship with the Lodz museum.

Dovetail offers the first monographic overview of Kasper Bosmans’ oeuvre to date. The book is richly illustrated with photographs of individual works and exhibition views, including a collaboration with artist Marina Pinsky. With texts from Piero Bisello, Phillip Van den Bossche, Martin Germann, Zoë Gray & Julia Mullié.

Designed by Nerijus Rimkus.

When she started writing the Corona Tales, Chus Martínez had been weighing how people and the media were addressing the outbreak of the virus as an unprecedented disaster. One possible contribution, as curator and writer, would be to write a short story a day and post it on an Instagram account that many could access…

For more than twenty years, Jean-Luc Moulène has developed a complex body of work, both analytical and mysterious. Moulène’s works explore the question of representation in his chosen media, while at the same time drawing on their essential physicality and materiality to engage tirelessly with political, social and ontological issues ‘made flesh’—notably through the concept of ‘transaction’.

This monograph spans forty years of drawings and works on paper, offering an insight into a lesser-known part of Moulène’s artistic practice. A jubilant documentation rich with autobiographical elements.