Produced on the occasion of Michael Asher’s exhibition at the Hamburg Kunstverein, Hamburg, 13 October–26 November, 1989.

For the exhibition Asher produced a series of eight postcards showing and describing the vehicles that, in the Hamburg region, are used to transport solid waste to storage sites and landfills located in foreign German territory. These postcards were on sale in bookstores and souvenir shops in Hamburg.

Produced on the occasion of Michael Asher’s exhibition at the Van Abbemuseum, Eindhoven, 3 August–29 August, 1977. With texts from Benjamin H.D. Buchloh and R.H. Fuchs.

*Please note this publication is secondhand and may have some traces of previous ownership.

Evaporation Essays brings forth a number of reflections on the artist’s work, drawing from scientific experiments, intuitive logic, friendship, and the poetic potential in oddments of thought. The publication is the first extensive monograph on the artist and includes reproductions of sculptural works. Edited by Melanie Bono and Annette Hans. Texts by Xander Karskens, Caomhín Mac Giolla Léith, Pádraic E. Moore, and Chris Sharp.

Produced on the occasion of Joëlle Tuerlinckx and Willem Oorebeek’s exhibition Mit einem Fuß in der Realität at the Badischer Kunstverein, Karlsruhe, 11 April–9 May, 2004.

The energy of BILD, oder comes from the associative dialogue between the two artists and the pooling of their respective archives: their own works, working notes, scraps, newspapers, posters, and other various sources preserved for various reasons. This accumulation of traces from their daily practice punctuates the flow of time.

Produced on the occasion of the exhibition Willem Oorebeek – MONOLITH, lettered rock, at With de With, Rotterdam, 4 June–24 July, 1994.

Dutch artist Willem Oorebeek’s (1953) work is grounded in techniques from the graphic arts. He utilizes different printing processes in a special manner, fully employing the printing procedure’s inherent principles of juxtaposition and stratification in order to explore the themes of repetition, multiplication, seriality and order. Oorebeek is especially interested in how image and language can combine and lead to a unique cross of visibility and legibility. [exhibition press release]

Produced on the occasion of Willem Oorebeek’s exhibition at Culturgest, Lisbon, 28 June–21 September, 2008.

Dutch artist Willem Oorebeek’s work is grounded in techniques from the graphic arts. He utilizes different printing processes in a special manner. He is especially interested in how image and language can combine and lead to a unique cross of visibility and legibility. Over the last ten years his production consisted mainly of a series of works in which he appropriates imagery drawn from printed matter that circulates in the public sphere. This catalogue from his 2008 exhibition in Lisbon documents his work and is accompanied by essays from Wouter Davidts and Camiel van Winkel.