1,2,3,4
Cosima Von Bonin
Published by DuMont Verlag, Köln, 2011, 184 pages (colour ill.), 32.1 × 25.2 cm, English/German
Price: €25 (Out of stock)

This catalogue was produced in conjunction with the exhibition series Cosima Von Bonin: The Lazy Susan Series, A Rotating Exhibition 2010–2012 shown at the following venues: Cosima Von Bonin’s Far Niente, Witte de With, Center for Contemporary Art, Rotterdam, 10 October, 2010–9 January, 2011; Cosima Von Bonin’s Bone Idle, Arnolfini, Bristol, 19 February–25 April, 2011; Cosima Von Bonin’s Zermatt! Zermatt! Z…ermattet!, MAMCO, Geneva, 8 June–18 September, 2011; Cosima Von Bonin’s Cut! Cut! Cut!, Museum Ludwig, Köln, 5 November, 2011–14 May, 2012.

Designed by Yvonne Quirmbach.

#2011 #cosimavonbonin #museumludwig #wittedewith #yvonnequirmbach
We Wanted a Revolution
Black Radical Women 1965-1985 Sourcebook
Published by Duke University Press, North Carolina, 2017, 320 pages (colour & b/w ill.), 27 × 20 cm, English
Price: €28

A landmark exhibition on display at the Brooklyn Museum from April 21 through September 17, 2017, We Wanted a Revolution: Black Radical Women, 1965–85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It showcases the work of black women artists such as Emma Amos, Maren Hassinger, Senga Nengudi, Lorraine O’Grady, Howardena Pindell, Faith Ringgold, and Betye Saar, making it one of the first major exhibitions to highlight the voices and experiences of women of color. In so doing, it reorients conversations around race, feminism, political action, art production, and art history in this significant historical period.

The accompanying Sourcebook republishes an array of rare and little-known documents from the period by artists, writers, cultural critics, and art historians such as Gloria Anzaldúa, James Baldwin, bell hooks, Lucy R. Lippard, Audre Lorde, Toni Morrison, Lowery Stokes Sims, Alice Walker, and Michelle Wallace. These documents include articles, manifestos, and letters from significant publications as well as interviews, some of which are reproduced in facsimile form. The Sourcebook also includes archival materials, rare ephemera, and an art-historical overview essay.

#2017 #bellhooks #betyesaar #brooklynmuseum #lorraineogrady #lucyrlippard #marenhassinger #senganengudi
Published by Institute of Contemporary Arts, Nagoya, 1987, 24 pages (colour ill.), 21 × 29.7 cm, Japanese/English
Price: €18 (Out of stock)
Produced on the occasion of the exhibition Jannis Kounellis at the Institute of Contemporary Arts, Nagoya, June 6 to July 31, 1987. With an essay by Germano Clement.
#1987 #janniskounellis
Victor Burgin
Published by Van Abbemuseum, Eindhoven, 1977, 88 pages (b/w ill.), 27 x 21 cm, Dutch/English
Price: €30 (Out of stock)

Published on the occasion of Victor Burgins’ 1977 exhibition at the Van Abbemuseum, Eindhoven. Includes R.H. Fuchs, ‘On reading texts.–V. Burgin, Modernism in the work of art’. Designed by Walter Nikkels.

#1977 #vanabbemuseum #victorburgin #walternikkels
Early Works
Isa Genzken
Published by Galerie Buchholz, Köln, 2014, 160 pages (colour & b/w ill.), 25.3 × 18 cm, English
Price: €30 (Temporarily out of stock)

This catalogue is published on the occasion of Isa Genzken’s exhibition Early Works that took place at Galerie Buchholz Berlin gallery in 2013. The book contains a new essay by Benjamin H.D. Buchloh, both in English and in German as well as an extensive documentation on the artist’s early work starting in the late 1960s.

#2014 #benjaminhdbuchloh #galeriebuchholz #isagenzken
1926–1973
Alina Szapocznikow
Published by Galeria Sztuki Współczesnej Zachęta, Warsaw, 1998, 15 pages (colour ill.), 27.5 × 23 cm, Polish
Price: €15 (Out of stock)

Published on the occasion of the exhibition  Alina Szapocznikow 1926–1973, Galeria Sztuki Współczesnej Zachęta, Warsaw, 1998. Curated by Anda Rottenberg.

#1998 #alinaszapocznikow