Published on the occasion of Heinrich Hoerle 1895–1936 Werke Aus Dem Nachlas at Von Der Heydt-Museum, Wuppertal, 7 April–12 May, 1974. Heinrich Hoerle was a German constructivist artist of the New Objectivity movement and one of three core members of the Cologne Progressives. Born in Cologne, he studied at the Cologne School of Arts and Crafts but was mostly self-taught as an artist.

The works of Daniel Gustav Cramer are based on accurate observations of ‘invisible’ moments that only reveal themselves at a second glance. In his photographs, text works and books, he depicts structured systems as well as personal experiences; large scale objects are next to the smallest ones, nothing is obvious. The work opens up in reflection.

Thirty-Six presents thirty-six works by Daniel Gustav Cramer in the restricted space of a book. It is an exhibition of Cramer’s works in its own right, that exceeds mere documentation and makes for multi-faceted new associations and moods.

Thirty-Six was published as part of the exhibitions Eight Works at Dortmunder Kunstverein, Germany and Six Works at the Return, Dublin, Ireland. The publication is a continuation of the recent exhibition series.

This two-part publication has been released in March 2014 on the occasion of the exhibition 01–72 by Daniel Gustav Cramer at SALTS, Basel. It consists of an artist’s book, giving more insight into the project and a reader with texts from Quinn Latimer, Kirsty Bell and an interview interview between Samuel Leuenberger and the artist. Designed by Ronnie Fueglister.

This publication was printed on the occasion of the exhibition Vestibule, Merrion Square, Dublin, curated by Aoife Tunney. The first publication portrays the park (Merrion Square), the second one features the exhibition space. “For the duration of the exhibition an iron sphere is buried in Merrion Square, Dublin”. Supported by Arts Council of Ireland, Dublin City Council and The Goethe Institut Ireland, May 2014. Edition of 500.