Produced on the occasion of Sway by Andrew Long held at TCB art inc., Melbourne, 15 April–2 May, 2015. Text by Isabelle Sully and Andrew Long, with photographs by Andrew Read. Designed by Robert Milne.

Publication produced on the occasion of Jef Geys presentation at the 53rd Venice Biennale, 2009, in the form of an overview of media comments compiled by Mélanie Gaillard. The show which was curated by Dirk Snauwaert, featured elements of Geys’ work from the last four decades.

Including an interview with Yvonne Rainer with Kurt Easterwood, Susanne Fairfax and Laura Poitras and the text Yvonne Rainer: Risks, between you and me by Thyrza Goodeve.

Driven by the central question “What are we learning from artists today?” the first volume of the new series edited by Anthony Huberman and Jeanne Gerrity at the CCA Wattis, A Series of Open Questions, is informed by themes found in the work of Dodie Bellamy, such as contemporary forms of feminism and sexuality, the rebirth of the author, and ways in which vulnerability, perversion, vulgarity, and self-exposure can be forms of empowerment. With texts By Sara Ahmed, Nicole Archer, Georges Bataille, Dodie Bellamy, Michele Carlson, Thomas Clerc, Combahee River Collective, Bob Flanagan, Ursula K. Le Guin, Johanna Hedva, Glen Helfand, Juliana Huxtable, Alex Kitnick, Julia Kristeva, Audre Lorde, Lisa Robertson and comprises a broad array of contributions by Marcela Pardo Ariza, Justin G. Binek, Kaucyila Brooke, Tammy Rae Carland, Mary Beth Edelson, Mike Kuchar, Anne Mcguire, Patrick Staff, Frances Stark, Rosemarie Trockel.

Designed by Scott Ponik.

A book that documents an oral presentation given by Pierre Bal-Blanc to a jury of professionals, as part of his application to curate the 7th Berlin Biennale. Devised as an exhibition in several acts, the session adheres to the rules of a score performed by its author or by a third party. With scores by Július Koller, Marie Cool Fabio Balducci, La Monte Young, George Brecht, Cornelius Cardew, Lawrence Weiner, Roman Ondák and others.

Designed by Vier5.

Produced on the occasion of Christodoulos Panayiotou’s exhibition at galerie Kamel Mennour, Paris, 15 October–24 November, 2018.

This catalogue focuses on a series of paintings made of discarded euro banknotes. These imposing fields of colour produced by the synthesis of the original banknotes are part of a greater investigation that seeks to remobilise devalued material.

With a foreword by Jean Capeille.