Produced on the occasion of the exhibitions at Hyogo Prefectural Museum of Modern Art, Hyogo, 29 August–15 October, 1989 and Seibu Department Store Ikebukuro, Tokyo, 27 October—15 November, 1989.

Iwata Nakayama (1895-1949) is regarded as a one of the most important contributors to the Shinko Shashin movement. From 1918 he travelled in the the west and was attracted to avant-garde movements and moved in bohemian circles where he met Shimizu Toshi, Man Ray, Fujita Tsuguji, and Enrico Prompolini. These encounters left a deep impression on him and when he returned to Japan in 1927 he energetically set about forming his own vision of ‘pure art photography’. In 1929 he settled in Ashiya (nr. Kobe) and in the following year founded the Ashiya Camera Club with Hanaya Kambei, Korai Seiji, and others. This club became the main driving force of New Photography in Japan. Together with Kimura and Nojima he founded Koga magazine in 1932 that was the most important forum for artistic photography at the time.

*Please note this publication is secondhand and may have some traces of previous ownership.

Completed in 1975, this oft-referenced dissertation by Regina Cornwall was revised and enlarged for the current publication. The book presents and interprets the seminal years of Snow’s artistic production in film and photography, in 8 chapters, illustrated with black and white images.

*Please note this publication is secondhand and may have some traces of previous ownership.

Gilbert & George have created art together since 1967, when they met at Saint Martin’s School of Art in London and decided that their art should be understood as emerging from a single source. Theirs would be, in their words, ‘art for all’, in contrast to what they saw as the overly cerebral and elitist Minimalist and Conceptual work that was dominant at the time.

Gilbert & George have created art together since 1967, when they met at Saint Martin’s School of Art in London and decided that their art should be understood as emerging from a single source. Theirs would be, in their words, ‘art for all’, in contrast to what they saw as the overly cerebral and elitist Minimalist and Conceptual work that was dominant at the time.

Gilbert & George have created art together since 1967, when they met at Saint Martin’s School of Art in London and decided that their art should be understood as emerging from a single source. Theirs would be, in their words, ‘art for all’, in contrast to what they saw as the overly cerebral and elitist Minimalist and Conceptual work that was dominant at the time.

Gilbert & George have created art together since 1967, when they met at Saint Martin’s School of Art in London and decided that their art should be understood as emerging from a single source. Theirs would be, in their words, ‘art for all’, in contrast to what they saw as the overly cerebral and elitist Minimalist and Conceptual work that was dominant at the time.