Produced on the occasion of the exhibition Prunella Clough, The Late Paintings and selected earlier works at Annely Juda Fine Art, London, 1 November–16 December, 2000.

Prunella Clough found her subjects by touring London’s industrial wastelands and bombsites – docks, power stations, factories and scrapyards – creating gritty, urban images. Her work – comprising paintings, collages, drawings, reliefs and graphics – increasingly centred on the components of the cityscape as her art, shifted away from representation through various influences including cubism and European abstraction.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Prunella Clough at Annely Juda Fine Art, London, 24 May–8 July 2017.

Prunella Clough found her subjects by touring London’s industrial wastelands and bombsites – docks, power stations, factories and scrapyards – creating gritty, urban images. Her work – comprising paintings, collages, drawings, reliefs and graphics – increasingly centred on the components of the cityscape as her art, shifted away from representation through various influences including cubism and European abstraction.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of the exhibition Burnett, Faulkner, Evans, curated by Andrew Christopher Green at Jacqueline, Athens, 26 September–25 October, 2025.

Burnett, Faulkner, Evans is centred around a film Charles Burnett made in 1973 called The Horse. It is shown alongside works that Burnett has recognised as its primary influences, namely photographs by Walker Evans and the writing of William Faulkner. The exhibition also explores the influence Evans and Faulkner had on one another, and an exchange that took place between them in the magazines Vogue and Harper’s Bazaar. Designed by Robert Milne.

Produced on the occasion of the exhibition Henrik Olesen: Food chain incl. prehistoric animals at Den Frie Udstillingsbygning, Copenhagen, 22 February–20 April, 2025. More information on the exhibition can be found here.

To make art is to understand how you are, to notice your prejudices and assumptions about value, to acknowledge your hand in an unequal world, and to recognise how you institute yourself – all while letting go of the outcome of work. Bosses replaces strategies of high performance with acts of trust. It is a book about doubt, about maintaining that condition and its untenable faith. About becoming a parent. Where individualism dissolves into dependence, ‘like when you get into a bath that’s the same temperature as your body, or when the summer comes and the wind touches your skin’.

Produced on the occasion of Eduardo Paolozzi’s exhibition at the Stedelijk Museum, Amsterdam, 25 May–30 June, 1968. Eduardo Paolozzi was a Scottish artist, known for his sculpture and graphic works. He is widely considered to be one of the pioneers of pop art.

Designed by Wim Crouwel. SM Cat no. 442.

*Please note this publication is secondhand and may have some traces of previous ownership.