A Letter to Danila: What You Hoped For Through Your Lifetime pays homage to the life and work of Russian born painter and sculptor, Danila Vassilieff. Vassilieff is credited with exposing Australian modernism to the figurative traditions associated with Russian decorative and folk art, influencing an entire generation of unapologetic young artists including Joy Hester, Arthur Boyd, Charles Blackman, and Sidney Nolan.

Domenico de Clario first encountered Vassilieff’s work as a teenager, when he stumbled across an old catalogue on the shelves of his high school library. Leafing through black and white reproductions of Vassilieff’s inner city neighbourhoods summoned memories and sensations of arriving with his own family from Trieste, Italy.

Produced on the occasion of Michael Stevenson’s 2006 exhibition, Art of the Eighties and Seventies at the Städtisches Museum Abteiberg, Mönchengladbach, referencing both Hans Hollein’s postmodern design of the museum and the 1978 Tehran gallery exhibition ‘Gold Bricks’, on short display during the outbreak of the revolution – a sculptural work by Armenian artist Zadik Zadikian which disappeared without a trace through looting. This exhibition was the first and only show of a gallery that Toni Shafrazi, who later became successful in New York, opened in Tehran in 1978.

Produced on the occasion of the exhibition 22 Jonge Zwitsers at the Stedelijk Museum, Amsterdam, 28 March–5 May, 1969.

SM Cat. No 458.

Designed by Wim Crouwel.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Gilbert & George: Photo Pieces: 1971–1980 at the Kunsthalle Bern, 7 March–5 April, 1981.

Produced on the occasion of Michael E. Smith’s exhibition at the Staatliche Graphische Sammlungen, München, 2 September–24 October, 2021.

Michael E. Smith makes sculptures out of cast-offs, waste and other residues of our consumer society. He assembles and manipulates this found material in an unusual way. He isolates objects, makes changes to their form and seeks out the limits of their imaginative power. His presentations are characterised by an intense yet sparse choreography of the exhibition space.

Writings 1973–1983 on Works 1969–1979 is an essential document of a decade of formative work by Michael Asher. Originally published in 1983, the book presents 33 works through the artist’s writings, photographic documentation, architectural floor plans, exhibition announcements, and other ephemera.

Initiated by Kasper König, Writings 1973–1983 on Works 1969–1979 was originally co-published by the Press of the Nova Scotia College of Art and Design and the Museum of Contemporary Art, Los Angeles, and was largely shaped by Asher’s close collaboration with art historian Benjamin H.D. Buchloh, who succeeded König as editor of the press.