Daan van Golden Photo Book(s) reproduces the photo pages of Van Golden’s earlier books (most of which have long been out of print), as well as two little known photo essays, in their entirety.

The reproduction of preexisting material, the insistent adherence to a set of core elements, gestures and images, the conviction that creating different juxtapositions and interactions between those same elements yields new readings and meaning: these are the hallmark of van Golden’s work, and here for the first time they serve as the organising principle for a book, one whose patient rhythm creates the space for the logic of a practice to establish its sensible presence.

David Robilliard (b.1952, Guernsey) moved to London in the late 1970s where he established himself as a self-taught painter and poet. He began working for Gilbert & George after appearing as an ‘angry young man’ in their film The World of Gilbert and George (1981). They actively promoted him as their favourite artist and in 1984 published ‘Inevitable’, his first volume of poetry. Three years later, in 1987, Robilliard was diagnosed as HIV positive and in 1988 he died at the age of 36. In his short life he produced a modest but important body of work now held in significant public collections including the Museum of Modern Art, New York; Stedelijk Museum, Amsterdam; Tate Modern, London and the Van Abbemuseum, Eindhoven. His work is direct both in content and form, comical and yet ultimately deeply romantic.
—Rob Tufnell, David Robilliard: Disorganised Writings and Sketches press release, 2019.

*Please note this publication is secondhand and has some traces of previous ownership.

Paige Bradley’s Drive It All Over Me was commissioned by the artists Jay Chung and Q Takeki Maeda and concerns their work Bad Driver, 2023, Jack Goldstein’s Selected Writings, and Vanessa Place’s Gone with the Wind and concerns broad themes of subtextual narrative, authorship, and identity in text-based visual artworks while also touching upon allegory, elaborately subtle jokes, and writing as a sculptural material.

With a text by Tom McDonough.

Sunflowers collates seventeen photographs by Gen Kay, taken in her makeshift home studio, which intimately observe and document the natural arc of the sunflower; one moment bold and brilliant, the next reticent and retreating. These photographs invite the viewer to reflect on these iterations and recognise nature’s arresting ability to capture human emotion with nuance. Both a visual metaphor of the transformative times we have endured and an ode to the power of a classical still life image, Sunflowers seeks to trace the dynamic melodies that lie within us all. Limited edition of 100. Hand numbered and signed.

Unbidden Tongues #8: Feelers brings together three photographic series by artist and activist Alexis Hunter. In a storyboard-like fashion, her ‘photo narrative sequences’ forensically detail her manhandling of artefacts of patriarchal oppression through the caressing touch of an array of characters: the Marxist wife, an interventionist secretary and a manicured mechanic. Born in New Zealand, Hunter moved to the United Kingdom in 1972 where, at the age of twenty-four, she joined the Women’s Workshop of the Artists Union and invested devotedly in feminist organising alongside her artistic practice.