Produced on the occasion of the exhibitions at Kunsthalle Tübingen, Tübingen; Van Abbemuseum, Eindhoven and Frankfurter Kunstverein, Frankfurt.

Despite having only a brief artistic career, spanning from 1962 to 1967, Peter Roehr left behind him a prolific oeuvre of pioneering collages, photo and sound montages and films. Roehr developed a proto-conceptual practice borrowing from pop art and minimalism. His practice was based on the principle of serial organisation and montage, focusing on the effects produced by unvaried repetition.

*Please note this publication is secondhand and has some traces of previous ownership.